This particular uncensored confession of an independent movie producer is being shared with readers that are looking to be in the entertainment business, are in the entertainment business, or are usually fascinated by the entertainment business that will thrives outside of the glitz of superstar. I am only one of many independent film producers that work hard to make movies to feed their creative enthusiasm and pay their bills. Making indie movies is always frustrating and extremely thrilling at the same time.
One the most frustrating jobs of any movie producer is finding film financing to create an independent film that does not have known actors attached to the project. You happen to be asking movie investors to back a project written by an unknown screenwriter that has no bankable celebrities attached, which is being visually guided by a first-time director or one with restricted credits. That is a tough sell. The entire world is fascinated with celebrity and movie investors are no different.
You could have a dynamite script, talented unfamiliar actors, film director with vision, and your desire as an independent film producer on your side, but without some type of hook chances of finding film cash will not happen. I have found myself because position as a producer of 3rd party entertainment. What did I do?
Truthfully, as a producer I knew without stars attached to a project I had to incorporate visual elements that would translate to worldwide audiences. I kicked up the violence, sex, and nudity factors because they fit with the two projects I was producing. Both screenplays were created to realistically depict strong subject matter matters, human flaws, and image content based on characters that resided lurid lives.
Whatever type of task you have there is going to come a point, unless you are independently wealthy, in which you are going to be confronted as an 3rd party movie producer that you are going to need to compromise on what will be shown to get film investor backing. In one case I had an interested movie trader tell me flat out that she needed the project to have an European film nudity flavor. She read the script and knew it well. The particular on-camera nudity and sex scenes should be tasteful, but hot in her opinion to appeal to a worldwide audience of buyers and not just US viewers. I assured her that I would and she invested with her boyfriend.
The lesson discovered is to always find different hooks for your movie that makes it attractive to the film investors you are pitching intended for funding. It could be a film investor is definitely passionate about something that can easily be folded to the screenplay to appeal to them. Talented screenwriters, independent movie producers, and film directors are masters in being able to work in a plug or scene for specific investors. To me it is just like product placement required for major studio movies, but at the indie level it is a more private pitch to individual movie investors.
Once an independent movie producer secures film financing for a project there exists a rush that is indescribable. Each maker has a different reaction. That euphoria and high quickly disappears mainly because now it is time to go to work. You might be already exhausted from the grinding money hunt and then all stages of production begin. Next thing you know issues start to develop on set that may range from technical issues to toss and crew difficulties. Now you are planning, “I am screwed! ” Because the independent movie producer it is your own ass on the line for the money invested to complete the film.
Actors and team can quit anytime during a completely independent film shoot. There is nothing immediately that can be done as a gutsy film producer if they happen to be not committed to honoring their actor’s agreement or crew agreement. This is simply not a studio production where you possess the luxury of hiring an amusement attorney to sue. The reality is there isn’t the time or money to go through that will. Going to film investors that have bankrolled an indie movie to tell them production has shut down and you require more money to hire an entertainment attorney will end your career early.
An independent movie producer is basically alone to correct problems and take care of business to complete a project. That is not the ego from the movie producer’s mind coming out, this is a simple reality. When everything turns out good you are a superstar to cast, crew, and movie investors. When it goes to shit, you are the dung beetle in the eyes of everybody. The life of an independent movie manufacturer is not for the timid.
Now you end up with a completed movie that you want a film distribution deal for. The hot indie entertainment buzzword is digital film distribution. That is definitely where it is going and where independent film producers will make money for their tasks. As of right now digital movie submission still is not up to speed to include indie produced entertainment in real cash revenue. Studios are still trying to figure out how it is going to work.
Like with any new technology you are going to have companies pop up that focus on independent movie producers. It makes sense. With no talent and risk taking moxie of independent movie producers absolutely nothing is for any distributor to sell outside of popular entertainment. Imagine how boring amusement would be with only mainstream seeing choices.
This is where frustration turns to the extremely thrilling part of being an independent movie producer at the best time possible. DVD is not dead, but can be slowly fading out. I take a look at declining DVD sales as an optimistic for indie producers. The truth is you will find movie distributors that cater to 3rd party cinema that will try to screw makers over financially by using DVD manufacturing and marketing fees as the tool every chance they get. Not every are like that. Many are honest plus fair with their accounting practices.
But there are always crooks, liars, thieves, plus piles in every business you will deal with. That is a given in life as a whole. Creating away for free or being shortchanged on royalty payments owed is not really an option for me.
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I read Jordan Moore is suing Harvey and Bob Weinstein, alleging that the two brothers used “classic Hollywood accounting tricks” to screw him out money he was owed. There are no idea on the real truth, however it shows if a millionaire filmmaker is usually worried about not getting paid, any independent movie producer better view their ass too just in case.
The particular thrilling part of being an independent film producer at the right time, which is right now, is digital movie distribution is opening up indie entertainment to some worldwide audience. This leads to more audiences and more money being earned by filmmakers. Profit is not an unclean word in my producer’s book. I am not independently wealthy or are able to afford not to make money from entertainment I generate. I see digital movie distribution as the best platform to distribute self-employed content and make money for traders, as well as the creators. These were the ramblings of independent movie producer Sid Kali.